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Drawmer units are bottom right corner. You are bidding on one (1) DRAWMER DS201 TWO CHANNEL DUAL NOISE GATE. This is in great working and cosmetic condition and was just removed from a recent studio closure. We have several units available at the low buyit now price. Info online: The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. variable high pass and low pass filters for "frequency conscious" gating comprehensive envelope control, attack, hold, decay, and range key input for external triggering "key listen" facility extremely fast attack time, to preserve the natural attack of the sound balanced inputs and outputs stereo linkable can be used for "Gating" or "Ducking" high audio specificationThese features and its "user friendliness" have made it the "industry standard" throughout the world.Setting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem. This can often be experienced in the studio when recording a drum kit. If a gate is used to clean up the snare drum sound it is quite likely that the nearby hi-hats will spill into the snare drum microphone and cause the gate to open. Increasing the threshold level may cure this problem, but then there is a very real danger that any quieter snare drum beats may not cause the gate to open at all and the performance can easily be ruined.The DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. This now enables the gate to only open on the lower frequencies present in the snare drum.Drawmer pioneered the concept of frequency conscious gating, and the Drawmer DS201 was the first noise gate to include this feature.The very fast attack of the DS201 means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed. With vocals for example, a fairly fast attack is needed so as not to clip the leading consonants but a slower release time will prevent the end of words being clipped off and will also fade out any noise gradually rather than cutting it off abruptly. This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise.Another important role played by the gate is in the reshaping of existing sounds. An example of this might involve a simple sampling delay line used to store a sound to be re-triggered later and added to a mix. A gate can be used to impart a slower attack or faster decay to the sound and careful setting of the decay envelope can effectively hide any noise present at the end of the sample. When using a sampler or drum machine the gate can be considered a triggered envelope shaper, and the wide range allowed by the envelope controls make the DS201 ideal for this application.The unit can be switched to accept a key input, which allows the gate to be triggered externally. An example of this would be to use a snare drum signal to open the gate on a separate ambient microphone to create a natural alternative to gated reverb.Each channel can be individually switched from Gating to Ducking for 'voice over' applications or the removal of 'clicks' and 'pops'. true 2-in/2-out stereo configuration that allows stereo sources to be processed without disrupting the original stereo image. Stereo inputs and outputs are all electronically balanced, with XLR and TRS phone jack connectors. Preset, Internal, and Card Memory 180 memory locations "on board". 80 of these are read-only memory. The remaining 100 are writable memory locations. Plug-in memory cards hold an extra 100 effect programs each. Three-stage Effect Configuration In addition to the main effects, the SPX990 provides programmable pre and post effects that can be used to refine and polish your sound. In-depth Programming Power The SPX990 has 4 programmable pre effects, 36 programmable main effects, and 3 programmable post effects. Tempo-based Delay Time Programming Delay time parameters can be programmed in terms of tempo or note length. Delay time can also be entered via a footswitch or MIDI clock data. Superior Pitch Precision The SPX990 achieves faultless pitch tracking through a new dynamic waveform analysis technique. In addition to the simple parallel pitch tracking the SPX990's "intelligent" pitch change creates appropriate harmony based on a specified key and scale type. External Parameter Control The SPX990 allows two selected parameters from each program to be assigned to two external MIDI controllers. MIDI Control The SPX990 allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at the same time. 4 Pre-Effects 1. 3-band PEQ *1, 2. Compressor *1, 3. Harmonic Driver *1, 4. Compressor, Dist. and EQ *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT 36 Main Effects: Reverb, Early Reflections, Delay and Echo, Modulation REVERB: Reverb *2, Filtered Reverb *2, Stereo Reverb *1, Echo Room *2; EARLY REFLECTIONS: Thin Early Reflection *2, Fat Early Reflection *2, Gate Reverb *2, Reverse Gate *2; DELAY and ECHO: Delay L, C, R *2, Echo *2, Multi Tap Delay *2, Stereo Echo *1, Tempo Mono Echo *2, Tempo Stereo Echo *1, Tempo Quad Echo *1; MODULATION: Flanger *1, Dual Flanger *1, FM Chorus *1, AM Chorus *1, Phaser *1, Symphonic *1 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT Main Effects continued: Pitch Change, Pan, Complex Effects, Freeze PITCH CHANGE: Mono Pitch Change *3, Dual Pitch Chance *2, Triple Pitch Chance *2, Stereo Pitch Change *1; PAN: Auto Pan *2, Triggered Pan *2; COMPLEX EFFECTS: Chorus and Reverb *2, Symphonic and Reverb *2, Flanger and Reverb *2, Reverb (L) / Reverb (R) *1, ER (L)/ Reverb (R) *1, Echo (L) / Reverb (R) *1, Chorus (L) / Reverb (R) *1, Pan (L) / Pan (R) *1; FREEZE: Freeze *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN - 1 OUT 3 Post Effects 1. 3-band PEQ *1; 2. Compressor *1, Harmonic Driver *1 *1 = 2 IN - 2 OUT FYI - Our products are acquired from bankrupt, downsized or defunct companies. Most items are pulled from their working environment and operation. Items are usually sold in the same condition that we receive them. If there are any known issues regarding the item, we will certainly let you know. We do our best to take pictures of the actual item and anything included with the auction. If you don't see it in the picture or it is not listed in the description, it s probably not included. Never assume that it is included. If you have any questions, please feel free to email us at auctions@bidsanfrancisco.net. PLEASE CHECK OUR FEEDBACK RATING AND BID WITH CONFIDENCE. Thanks for Bidding and Good Luck! AUCTION TERMS: WE ONLY ACCEPT BIDS FROM USA and CANADA. International Bidders from all other countries must contact us to get bidding approval. 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